YAU WING FUNG 邱榮豐
  • Artworks 作品
  • About 關於
  • Exhibitions 展覽
  • Contact 聯絡
  • Artworks 作品
  • About 關於
  • Exhibitions 展覽
  • Contact 聯絡
About the exhibition
In the context of contemporary art, the "exhibition space" has never been merely the physical space of the white cube; rather, it serves as a poetic field that embodies imagination, expresses stance, or facilitates sensory engagement. This exhibition, guided by the concept of "Unadorned Space," constructs an aesthetic environment of purity and simplicity. "Unadorned" refers to a state of being untouched by excessive embellishment, reflecting the philosophical pursuit of " embracing simplicity and returning to the pristine" in Eastern philosophy, which deeply resonates with the "plain and natural" charm of ink art. The "Unadorned Space" is not only a manifestation of the exhibition's serene atmosphere but also an imaginative vessel woven from the interplay of ink, brush, and paper.
The core proposition of the exhibition, "Variations," seeks to explore the multidimensional expressions of ink art within a contemporary context, rather than deliberately emphasizing differences from tradition or negating the past. Through two distinct forms—two-dimensional landscape works and ink installations—the artist explores the interrelationship between ink, space, and people. Viewers traverse between the wandering perspectives of the flat plane and the interventions of the three-dimensional field, experiencing vastly different visual sensations.
“Variations in an Unadorned Space” goes beyond merely displaying ink works of different forms within a clean space; it seeks inner resonance within the spiritual time and space of ink art. The works move like the rhythms of different musical pieces, guiding the viewer's thoughts into a state of stability and leading them rediscover inner clarity.

展覽簡介
在當代藝術的語境中,「展覽場域」從未僅是白盒子的物理空間,而是承載想像、立場表達或感官互動的詩意場域。是次展覽以「素處」為引,建構出一個素淨的審美空間。「素」指事物未經雕琢、拒絕過渡修飾的狀態,亦是東方哲學中「見素抱樸」的精神追求,與水墨藝術「平淡天真」的意趣深相契合。「素處」,既是展覽空間那份謐靜的體現,更是筆墨與紙張交織而成的想像載體。

展覽的核心命題「異曲」,試著探討水墨在當代語境下的多維表達,而並非刻意強調與傳統的不同或否定過去。藝術家透過平面的山水作品與水墨裝置兩種相異形式,探索水墨、空間與人之間的相互關係。觀者在平面的遊觀視角與立體的場域介入之間來回穿梭,體驗截然不同的視覺經驗。
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《素處的異曲》不止於在素淨的空間中陳列形式相異的水墨作品,更在水墨的精神時空中尋找內在共鳴。作品如不同樂曲的律動,引領觀者的思緒進入安穩的狀態,尋回內心的澄明。

Meta-2
Series of One River, Two Banks Album 一河兩岸冊 系列
Upon the Peak 在山
Transition Scene IV 渡境04
Into IV
Layered Imagery 重境
Even the Trees 木猶如此
Listening to Mist & The trail of the mountains